I thought I would celebrate spring blooms this week, so I have attached four art prints I created using a watercolor technique. I included one agapanthus and three rose blooms. The agapanthus are blooming here in Southern California and the roses I have lining our front walkway are in full bloom!! Enjoy!!
Over the last couple of weeks, I have been sharing what happens when you present the same subject matter in two different artistic methods and how that can change the way an image impacts the viewer. This week I am going to dive a little deeper into that using a variety of abstract art methods. I used one of these examples in a post that I did in 2014, but this time around wanted to show how four different results came from one group of small statues.
OK, now that I have confused the issue, let me start with the process I went through using the original subject matter. That subject matter is two small statues that go together and represents a family; a mother holding a child and a father with a child on his shoulders. Having been married for 47 years and raising three incredible daughters, my wife and I celebrate family.
I started the process by taking those two statuettes and placing them in a light box snapping numerous pictures of the statues in slightly different positions settling ultimately on the three I have attached to this post. I was only using the photographs as a basis, so wasn’t concerned whether the shot was in perfect focus or not (which one isn’t). From that point I tried a variety of styles and methods creating numerous art prints and finally settling on the attached four.
Starting with the the first capture of the mother and child in the foreground and the father with child on his shoulders in the background:
With the resulting art prints being:
For the first print, I used an impasto technique (impasto done in acrylic or oil emphasizes strong and bold brush strokes).
On the second one I played with the colors using a fauvism style (fauvism: vivd expressionistic and non-naturalistic use of color).
Next up is the picture I used for the third art print. In this case I positioned the mother and father figure more side by side.
From this inspiration I created this:
Again, using a fauvism approach I created this art print with a complete change in colors.
My last example comes from the next picture.
This basis was just slightly different in positioning of the statues resulting in the following:
For this fourth art print I used an abstract watercolor technique and again bold color choices.
I had fun with this series and just wanted to share one of the ways I come up with my art prints.
In keeping with the theme from last week, I have attached six different art prints of three particular structures that are located on the grounds of the Sharlot Hall Museum in Prescott, Arizona. (Sharlot Hall Museum Info on Wikipedia)
I have used two different approaches for each of the three structures. The first one for each of them was created using a colored pencil sketching technique. On the second art print, I used an impasto style (a type of painting style that uses very thick paint, creating strong brush strokes). The two different styles create a very different look for each subject matter. There isn’t a right or wrong as it’s more of a visual preference of the viewer. The sketching style creates a more subtle, softer visual where the impasto style creates a bolder look with stronger colors.
The first structure is Fort Misery. It is the oldest log building associated with the territory of Arizona. Originally built in 1863-1864 along the banks of Granite Creek (two blocks south of the museum) by a trader as a home and store. It was disassembled and reassembled on the museum grounds of the Sharlot Hall Museum in 1934.
The inspiration behind the next two art prints is a reconstructed ranch house on the grounds of the Sharlot Hall Museum in Prescott, Arizona. This reconstruction was done in the 1930’s to represent a typical ranch house in this area during the mid 1800’s.
The inspiration behind the last two prints is the original governors mansion built in Prescott Arizona. The structure was built in 1864 to house the governor of the newly aligned Arizona Territory. The structure is now located on the grounds of the Sharlot Hall Museum.
I have attached two different approaches to a singular subject matter. The singular subject matter is the train station door in Glendale, California. The train station was built in 1924 by the Southern Pacific Railroad using a romantic Spanish Colonial Revival style. The elaborate architectural details immediately become a visual focal point. The station now serves for both Amtrak and the Los Angeles Metro Link Rail system and was purchased by the city of Glendale in 1989.
Having been through this station numerous times over the last 20+ years, I was usually too busy coming or going to stop and really absorb the architectural detail. Finally in 2017 I did a photoshoot of the entire station and settled on this perspective of the door as a true representation of the beauty of the building.
I chose two different sketching techniques to highlight the beauty of the architectural details. Both techniques created totally different visual experiences of the same subject. There isn’t a right or wrong in either technique, just a visual preference by the viewer, which varies from viewer to viewer.
From all of the hiking I have done in the Pacific Northwest over the years, I wanted to share three art prints I did from some shots I took. I used a watercolor technique that uses abstract shapes and clean lines to create a sharp contemporary look.
The first one is of a stump I came across along the trail.
The second one gives you an idea of how narrow the path actually was at this point in the hike.
The third one shows the hiking trail opening up slightly as the terrain leveled off.
I’m always trying to find an artistic look with the captures I take and thought this modern abstract look added a different element to the scene.
In keeping with the sailboat theme from last week, this week I’m attaching two prints I created of sailboats. These prints differ from last weeks post in that the technique I used on these two was a subtle watercolor. The scene is a rainy (drizzle, not heavy rain) day on Bellingham Bay. Both prints capture a subtle rainbow in the background. The technique and coloring reflect the look I saw on that day. No bright colors without full sun, but a more subdued peaceful mood with the light rain.
Bellingham Bay serves the town of Bellingham in the state of Washington. Bellingham is located just south of the Canadian Border and north of Seattle. It’s just one of the many places in the Pacific Northwest of natural beauty.
This week I’m sharing a print I just finished. It’s based on a capture I took a few years ago. It’s a sailboat on San Diego Bay with downtown San Diego as the back drop. The point of view of the scene is looking across the bay from Coronado Island towards the downtown skyline. With this print, I used the original photo and did a Photoshop “abstract” creation. Using those two as a guide, I digitally painted this final print. I liked subduing the buildings for the background to have the sailboat stand front and center. I also took the liberty of creating abstract foliage for the majority of the coastline at the base of the buildings so as to not have to put in detail actually found there (such as the USS Midway floating museum). I kept to a linear abstract approach keeping clean lines where needed creating the various shapes.
Last summer I shared a couple of captures I took of our Bougainvillea blooms from our backyard. It took me until November to take those shots and create watercolor art prints of them. I also took them into two different directions, dark & bold and light & subtle. The original shots were taken to highlight the back lighting of the “colored bracts” surrounding the actual flower. That’s the technical and actual description, but most of us see the bracts as petals creating the bloom. The actual flower is a very small insignificant light colored center piece in the center of the bracts. Ok, so much for our botanical class lesson and let’s move on to what I did with them.
I wanted to present the look in a watercolor format as that lends itself to a soft warm presentation. What also caught me eye was the subtle difference in lighting and color saturation between the two. I decided to accent those differences which resulted in the attached art prints! I think the name I gave each says it all in what I saw as differences between the two.