The beginning of December is typically when our Camellia tree and bushes start their winter bloom here in Los Angeles. It also marks the beginning of the Christmas season, so I thought it appropriate to share three camellia captures with words for the holiday season!!
In continuing with the theme from last week, this week I’m featuring an old train car. And not to be too redundant, but as I stated last week: “Anytime I create an art print, I have typically worked the subject matter into different forms and presentations. When I hit a look I like, I spend more time working it into a “final product”. Sometimes I end up with more than one version. If I feel strongly about the final presentation in each version, I will keep them. Having said that, I do try and limit it to no more than three of anyone subject matter.” Today’s blog features an old train car located on a hiking path along the river in Rockford, Michigan. At the time I took the photograph in December of 2015, it was abandoned, but looked like it had been used as a diner.
As I did last week, the first version I’m showing was created using a black and white sketching technique.
Anytime I create an art print, I have typically worked the subject matter into different forms and presentations. When I hit a look I like, I spend more time working it into a “final product”. Sometimes I end up with more than one version. If I feel strongly about the final presentation in each version, I will keep them. Having said that, I do try and limit it to no more than three of anyone subject matter. Today’s blog features a covered wagon I photographed in the Sharlott Hall Museum in Prescott, Arizona.
The first example is the covered wagon created using a black and white sketching technique.
The third version uses an impasto painting technique which creates a completely different look for this covered wagon. This painting style creates strong and bold brush strokes.
Taking a complete 180 from last weeks abstract art prints, this week I’m showcasing two art prints I created using an old world gothic earth tone approach. The earth tone approach uses rich warm colors with a brownish hue. The two subjects are buildings representing both the east and the west coast of the United States. I have a love of architectural details and like presentations that capitalize on those details.
The first one is from the New England area and features a classic architectural style which works really well with a “gothic’ presentation. I love the capping to the roof lines as well as over the windows.
The second print is a building in downtown Seattle and I used a less traditional viewpoint of the structure by looking down on it. This perspective highlights the “corner” aspect of this buildings location. The overall architecture is more modern than the first example, but still traditional to the early part of the 20th Century. On this print the gothic style highlights not only the building, but the details from the first floor and the corner pedestrian activity.