Category Archives: Black and White Photography

Black and White Photography – Urban Architecture

I have attached three new prints that I added to my Black and White Photography Gallery this week. The shots come from a photoshoot I did throughout downtown Denver last July (top picks from the shoot were featured in a blog post on August 2nd). Two of these were in that blog. Fast forward to a project I was working on for a client recently around “urban architecture”. Working on that project surfaced shots I took of the train platform behind Union Station that was opened in 2014. The clean sleek lines of the architecture screamed “black and white photography” to me, so I began playing with that and after whittling it down, the attached were the final result. If you are curious to see the difference between the same capture in color vs. black & white…..on the Aug.2 post “Denver 13” is “Denver Urban Transit Center” on this post and “Denver 14” is “Denver Light Rail Platform At Union Station” .

Thoughts?

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Seattle Great Wheel – B&W Simplicity

Anyone that has been following me knows I love black and white photography for a variety of reasons. One of those reasons being that you can focus on the subject when there isn’t a variety of colors grabbing your attention.

Today I am featuring two photographs from a shoot of the Seattle Great Wheel I did a few years back. It’s located at the end of one of the many piers lining the waterfront and has become an icon in the Seattle skyline. It is the largest observation wheel on the west coast standing 175 feet tall. The wheel has 42 fully enclosed gondolas with a special VIP gondola sporting leather bucket seats and a glass bottom floor.

I took a number of shots including a series of close ups to focus on the simplicity and beauty of the gondolas taking passengers up and around the giant ferris wheel. I presented these captures in black and white to allow the focus to be on the shape and arrangement of the gondolas on the wheel. The composition of both captures was to create a more artistic photograph versus just a snap shot of the entire ferris wheel.

“Three Gondolas “

Gondolas 8-11

Thoughts?

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Sepia Tone or Black and White?

When you go with a monochrome presentation of a picture, you are presenting a scene, structure or object in tones of a singular color. I use black and white presentations usually to create a mood. In a sepia tone presentation it usually creates a “vintage” look since we associate that color tone to old-fashioned pictures. To illustrate this, I chose three shots of a subject that I have done in black and white and sepia tone.

The first picture is of Cape Blanco Lighthouse along the Oregon coastline.

The second capture is of an adobe located on the grounds of the Alamo in San Antonio, Texas.

And the third shot is of a barn nestled in a valley in Iowa.

Thoughts?

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Set The Mood – Black and White Photography

After the last few posts of fall colors, I’m doing a 180 with something I’ve talked about before and wanted to revisit with a couple of great examples in “setting the mood” with black and white photography.

I’ve attached a shot I call “Farm Water Pump”. The subject matter of the pump is not the first thing you see, but does pull your eye into the photo of an old fashion water pump on a farm just in front of some stables. The lack of color sets a subdued mood that works well with this type of composition.

I have also attached a shot I call ” Heritage Hill Mansion in Black and White”. The subject matter in this particular shot fills the field of vision with old Victorian architecture. Seeing this same shot in color focuses the eye on the intricacies of the architecture like a ginger bread house. By presenting this same composition in black and white, the visual mood created is an almost “haunting” look to this structure.

Not everyone is a fan of black and white photography, but don’t discount it in presenting certain types of compositions as it does create a mood. Thoughts?

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What Am I Seeing? Three Very Different Black and White Photographs

This week I wanted to take a look at three very different black and white photographs and tell you what I see.

As I have mentioned in my posts, I shoot everything in Raw format which means I shoot digitally capturing tremendous detail. It does take up memory and believe me my portfolio and archives have their own hard drive because of it. The reason I shoot with that much definition is that it allows me to “play’ with the end picture more.

The first picture is a cityscape of downtown Seattle with the Space Needle featured front and center. What do I see? I see the downtown towers and Space Needle sharply defined…very bold straight edges. I see the architecture dominating the capture because of that factor. As an additional element, I see the sharp contrast of the cloud formations from the high level clouds to the puffy cumulous in the background.  I see an architectural statement of Seattle with the subtle element of weather which Seattle is known for.

From a cityscape to a farm. What do I see? I see a mood created from an abandoned farm highlighted by showing it in black and white. I see barren tree branches and collapsing buildings that have a lonely element with no life. The black and white presentation allows this mood to be front and center without getting distracted by pops of color.

From the farm to Old Point Loma Lighthouse sitting on the entrance to San Diego Bay in Cabrillo National Monument. What do I see? I see the top of a lighthouse where the simple architecture of the structure points your eye upward to the light. I see what is a deep blue sky not taking center stage because the presentation in black and white makes it a supporting gray backdrop to the white structure and the intricate architecture of the top of the lighthouse.

Thoughts?

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Black and White Photography – Mood and Depth

I have shared on a number of my posts, my love of black and white photography. I have always been drawn to it for a variety of reasons, two of which I wanted to talk about today; mood and depth.

Eliminating color from a picture can create an entirely new more interesting image. Key word there is “can”. It doesn’t compliment or help create a visual story on every image, but on certain images it tells a better story to the viewer than leaving it color. Two of the elements that are impacted by using monochrome coloring are mood and depth.

Eliminating the visual busyness of color helps create a mood to a capture. Yes, it is typically more of a somber mood, but this can add flavor to the overall look the photographer is going for.

Black and white can also enhance contrast between visual elements highlighting depth to a particular capture.

I have attached three black and white photographs from my gallery that highlight both of these elements.

In this example, the subject matter presented in black and white helps create a somber rather subdued tone to this capture. The photograph was taken an a cold, cloudy winter day. The barren tree branches reinforce this element of season, but also due to the stark contrast from the background help build depth to the visual experience. It recreates what I felt on the day I took the shot…it was a rather gloomy day and I loved the element of this carriage house being tucked back from the main property.

In this capture the light centered on the walkway creates a brighter and more upbeat mood. That aspect is reinforced as there isn’t any competition with color which allows the shaft of light to take center stage. The element of depth is supported in a more subtle way with this shot. Your eye is pulled to the center of the frame due to the shaft of light, but then meanders around the curve of the walkway back into the picture realizing there is more going on further into the picture under those hanging tree branches. The various shapes and contrasting darkness over lighter backgrounds create this depth.

The black and white aspect to this last capture creates a very neutral mood in that this could have been taken on a bright sunny day or a cloudy day. The biggest impact for this is depth. The dark tree branches frame an ocean coastline and reinforce the point of view as being high above the pounding surf. The foreground of craggy tree branches as the darkest element create the starting point to depth. Your eye is then pulled into the frame across the surf to the bluff across the way…distance and depth.  Thoughts?

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