When I am taking photographs either black and white or color, I am constantly visualizing the most interesting way to frame “the shot”. My framing visualization is always looking for interesting angles and unique presentations, not necessarily to show entire subjects or broad landscapes. I try to peak the viewers interest and evoke an interest in what they are seeing. The best example I can think of is macro shots of flower blooms and buds. By taking just a section and focusing on that portion only, you see the detail of the bloom that you wouldn’t necessarily see when included with a garden shot or total plant shot.
I used the same approach with the attached three photographic art prints. The common theme between them is two-fold: they are all classic/vintage forms of transportation and all three highlight specific shapes and colors to draw your eye in.
We start with “Black Propeller”. This is a single engine prop plane from World War Two. I took a number of shots of this plane from almost every angle. I kept coming back to this “macro” shot of the propellers. The thing that drew my eye in was the color of the black propellers in front of the bright yellow casing of the engine. That was the starting point and then the intricacy of the engine and finally the detail reflected in the chrome center cap of the propellers. You can see people and their shadows looking at this plane.
“Green Classic Truck’ was another shoot that I did from all angles. This shot in my perspective told the story best of the truck (what you don’t see are items in the back flatbed that weren’t pertinent to the era this vehicle represents). This particular shot and the angle tell the story of this deep green classic/vintage truck with the wood doors and curved running board becoming the fender. Your eye gets pulled to the bench front seat over to the windshield with the single wiper blade. I also liked the positioning which allows a peak of the activity behind the truck. The people under umbrellas at tables added an additional element.
We end with “Pale Green Classic Chevy Truck”. Of course I had to present the front grille to start the visual journey of this beauty. From the grille your eye travels down to the wide white-walled tires up to the visor at the top of the windshield. I was fortunate in this shot that there wasn’t any distracting items or activities immediately around the truck to take away from the look of this classic/vintage vehicle.
Please visit my main gallery: TheWallGallery (All domestic orders over $50.00 – free shipping!)
Anyone who has been following my work, knows I have a fascination with architecture. I did start studying architecture in high school and always thought I would go to some architectural school, etc. etc. etc. Problem was my parents both worked for a private four-year liberal arts college in Iowa which is where all of my siblings and I ended up going (could be the deal on tuition costs for dependents of employees of the college – four of us so you do the math). I ended up with a major in business which to me seemed the most practical. Having said all of that, it was that same school where I was introduced to photography and dark rooms which ultimately led to the things you see here. OK, so that explains my fascination with architecture and why you see a lot of it in my work. Today I wanted to show an interesting mix between that love of architecture and creative artistic presentation. I have done a number of shots of urban high-rises which of course are very linear and rise into the sky in very straight lines. Mixing the fauvism style and technique which presents non-linear and abstract looks to subjects with urban structures results in the attached two art prints. Both prints create an abstract and playful approach to rigid downtown buildings (Seattle in both cases).
Always looking for an interesting aspect or angle to a subject matter, I have attached two prints I created of The Seattle Great Wheel. The official website to the Seattle Great Wheel is here (the website has a great overall picture of the ferris wheel at the end of pier 57 along the bay front of downtown Seattle). It really is an impressive ferris wheel and has fast become one of the main attractions in downtown Seattle.
I did a photo shoot a few years back and spent quite awhile trying to capture unique shots of this very large ferris wheel. I wanted something a little different to highlight the architectural detail of this beautiful wheel. As I went through the shots and started narrowing it down to unique angles, I thought that with the geometric simplicity of the structure, why not try some of these angles in a sketching or ink pen style…both simplistic in visual appearance and focusing specifically on the structure.
With the help of Adobe Photoshop I came up with these prints that portray two very different angles and perspectives of the gondolas as they went around the large wheel.
This week I wanted to take a look at three very different black and white photographs and tell you what I see.
As I have mentioned in my posts, I shoot everything in Raw format which means I shoot digitally capturing tremendous detail. It does take up memory and believe me my portfolio and archives have their own hard drive because of it. The reason I shoot with that much definition is that it allows me to “play’ with the end picture more.
The first picture is a cityscape of downtown Seattle with the Space Needle featured front and center. What do I see? I see the downtown towers and Space Needle sharply defined…very bold straight edges. I see the architecture dominating the capture because of that factor. As an additional element, I see the sharp contrast of the cloud formations from the high level clouds to the puffy cumulous in the background. I see an architectural statement of Seattle with the subtle element of weather which Seattle is known for.
From a cityscape to a farm. What do I see? I see a mood created from an abandoned farm highlighted by showing it in black and white. I see barren tree branches and collapsing buildings that have a lonely element with no life. The black and white presentation allows this mood to be front and center without getting distracted by pops of color.
From the farm to Old Point Loma Lighthouse sitting on the entrance to San Diego Bay in Cabrillo National Monument. What do I see? I see the top of a lighthouse where the simple architecture of the structure points your eye upward to the light. I see what is a deep blue sky not taking center stage because the presentation in black and white makes it a supporting gray backdrop to the white structure and the intricate architecture of the top of the lighthouse.