This weeks blog has a number of pictures attached to it. I’ve been asked a number of times about the process I go through creating the digital art you see posted. Almost everything starts with a photoshoot. (I do create art prints digitally from scratch, but this post is about an example of creating from a photoshoot)
For this example I am using a photoshoot I did in January of 2011. The setting is a sunset over the Pacific Ocean taken from the balcony off of our bedroom overlooking the coastline of Carlsbad, California (Northern San Diego County). This is the house we raised our girls in and we lived there for almost 20 years. The house was at the end of a cul de sac in a neighborhood that was located on top of a ridge 3 miles inland from the Pacific Ocean. To the immediate west of our neighborhood/property was a field owned by the Carlsbad Water District. The importance of that was that it was never going to be built on and offered an unobstructed view all the way down to the coast. I give that background because of this photoshoot. In all the years we lived there, this sunset was an exception to the rule and was only seen a few times. For this type of sunset, there must be high level clouds and an unobstructed view. We had the view at all times, but during the spring, summer and fall months it was more typical to have a marine layer come ashore late afternoon into the night. The marine layer typically was low level clouds (not fog), that hid most sunsets over the ocean. The only time we actually had clear skies at sunset was in the winter as the marine layer was less common. The high level clouds were also a rarity in this area preventing this type of a colorful sunset. On this particular day, we started to see the colors burst forth in our backyard. I immediately clued into what was happening and grabbed my camera, ran upstairs to our bedroom and the balcony. I have attached 8 of the 18 shots I took that day a number of them were redundant and the rest were poor shots looking towards the extreme south and north.
This was the first capture I took using my telephoto lens focusing on the immediate west.
I zoomed in a little more. The building you see with the “smoke stack” is a coastal power plant that was built quite awhile ago as a coal burning facility. It was converted to gas years ago and today the smoke stack has been removed.
This shot is without extending the telephoto lens and is the view we had with the naked eye.
Zooming in just south of the power plant capturing more of the clouds.
Lowering the framing slightly.
Zooming back towards the power plant…
Pulling back on the telephoto to capture more of the clouds as the colors are deepening.
Pulling back on the telephoto to capture a widening shot. These were the captures I narrowed it down to creating the art prints that follow.
These two shots were cropped and a subtle digital watercolor overlay to highlight the orange tones. Also I removed the smoke stack from the power plant (not knowing it was going to be removed in reality but not until 2020).
Cropping “Coastal Sunset” gave me the background for this Inspirational art print.
In this capture, I used an impasto style painting which creates large dramatic brush strokes.
Using the same impasto style on this one, but using one of the photos that had blue sky showing such as Balcony Sunset 1.
These five prints from this photoshoot were created after experimenting with cropping of the captured scene and then the different art styles. This gives you a taste of the process using a photoshoot with a singular subject matter. Multiply it by number of subject matters on a more intense photoshoot.
Thoughts?
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