Tag Archives: Iowa

Writer Inspires Artist – Artist Inspires Writer or On The Radio – Meet Hank

I could call this week’s post – “The Art of Visualization: The Key Element to Writing, Art and Photography”, but the result of that ability is “On The Radio – Meet Hank”.  I’m doing a joint collaboration with one of my favorite authors, Teagan Ríordáin Geneviene. One of my most consistent comments to her after reading her writing is: “I love it…I am instantly pulled in because I can visualize everything you are writing about”. When she asked me to do this joint post, her request was simple: “Go through your art and photography portfolio and send me a picture that you would like to have me weave into one of my novels”. I narrowed it down to Cedar Rapids Barn because this capture of an old dilapidated barn created a visualization of a rural setting and the mystery surrounding the structure (side note: I was driving on the outskirts of Cedar Rapids, Iowa in the heavily wooded hills along the river when I spotted this structure nestled in the trees. Of course I had to stop…hike into the woods and take some shots with my camera). So with that, I would like to turn it over to the star of this visualization, Teagan: 

Hi Kirt! Hello everyone, I’m Teagan Ríordáin Geneviene, from the blog, Teagan’s Books. It’s my pleasure to be a guest here at The Wall Gallery. Thanks to Kirt for working with me on this joint post!

3-things-cover_3-2016As I get ready for the takeoff of my next 1920s novel, Murder at the Bijou, Three Ingredients-I, I’m doing some collaborative posts with other bloggers. We’re combining their unique talents with my stories. From his wonderful collection, Kirt chose this image, Cedar Rapids Barn. I let it spontaneously lead me to the story below.

This tale is set in the Roaring Twenties world of my flapper character, Paisley Idelle Peabody, aka Pip. (For more about Pip, see The Three Things Serial Story click here.)

Today meet Hank Hertz. This vignette is part of Hank’s backstory. He’s a young man Pip will meet when she is sent to live in Savannah, Georgia with her grandmother. However, this vignette takes place at some point not too long before Pip arrives there, so she is not in this story.

On the Radio — Meet Hank

No harm in trying one more time, Hank Hertz thought as he stacked all manner of electronic components on the counter.

“Hi, Mr. Hardscrabble,” Hank mumbled, trying to avoid eye contact with the hardware store’s proprietor.

“Hank, I already told you. Your ma told me not to sell you any of this gadgetry tomfoolery. You might as well put all that stuff back on the shelves, son.”

Hardscrabble put a hand to his balding head in a frustrated gesture. He found his spectacles there and smiled because he’d forgotten where he put them. However, he brightened when the door opened. One of “Savannah’s finest,” Detective Dabney Daniels strolled into Hardscrabble Hardware. His finely chiseled features remained neutral, but he raised an eyebrow at the tableau at the counter.

“Now get on with you, boy. Put everything back. I can’t take your money,” the store owner repeated before turning to a real customer. “That boy gets more like his granddaddy every day. Detective, what can I do for you?”

1928 Detroit police radio Blue

“No need to rest on formality, Homer. I can’t find my flashlight, so I’m here for another one,” the detective replied then looked sheepish. “Go ahead and laugh about things going missing at a police station. I can tell you’re holding it back.”

Hank watched the exchange between the tall detective and the portly shopkeeper as he reluctantly made trips from the sales counter back to the shelves. He could have carried more things at one time, but he delayed the inevitable, hoping Mr. Hardscrabble would change his mind. As he picked up a few more items to return to the shelf, the detective stopped him.

“What is all that stuff, son? If I didn’t know better, I’d think you were building a ham radio. Or at least intended to before Homer shut you down.”

For a moment Hank’s face lit up at the mention of his passion — all things electronic, especially radios. He looked dejectedly at his feet.

“Momma wants me to study law. She says electronics and inventions are a distraction. She even said they were toys!”

“So all the old fogies are conspiring against you, huh? Well, you’d better ankle all that stuff back where it came from, like Homer told you.”

***

1920 Radio News

After supper Hank got an armload of books and headed out the kitchen door. His mother looked at the heavy tomes and gave a satisfied nod. Hank knew she was watching from the window above the sink as he walked to the little red barn. Vines of Cherokee roses ran riot over the building. The Hertz family used the barn for storage, but Hank made it his personal spot to study or just hang out. He also had a workbench tucked in one corner where he discretely kept his radio equipment.

The horizon blazed red with sunset when Hank slipped out of the barn. He pedaled the motorized bicycle he had made until he was far enough away that his parents wouldn’t hear the noise of the motor. Dusk descended as he rode into town.

Hank didn’t pay any attention to the dark Ford parked on the corner, or to the fact that someone sat inside it. He rode down the alley and came up behind Hardscrabble Hardware. The back door was locked, but he found a window he could open. He took his flashlight and climbed into the store.

He knew exactly where to find everything he wanted. So it didn’t take Hank long to gather all the electronics he tried to buy that afternoon. He stood at the sales counter and added up all the prices. He figured the tax. Then he left the full amount of the purchase, plus two cents, because he didn’t have enough pennies to leave the exact change.

Putting everything into his bag, Hank turned toward the back of the shop. It felt like an electric charge shot from his neck down his arm when he heard a cough behind him. Hank jerked around to face the sound.

1920 Victoria motorcycle ad

The boy thought he’d lose everything he ate for supper when he saw the police detective standing there, arms folded.

“So you actually broke into the store and paid for the things Homer wouldn’t sell you? Son, I don’t know what to make of that.”

Hank stumbled back a step. He wanted to run, but the copper knew who he was and where he lived. Besides, Hank had a pretty good idea that those long legs could catch up with him before he got to his bicycle. His breath caught in his throat. Hank couldn’t have spoken even if he’d known what to say.

The detective closed the distance to the counter in a single step. He pointed his new flashlight to the paper where Hank had added up his purchase. Then he pursed his lips as he thought. He stared at Hank as if he could see every fib the boy had ever told. Hank gulped.

“Where’d you get the money for this stuff, son? Allowance? Money for odd jobs?”

Hank only nodded, still unable to talk. Finally he found his voice and croaked out a reply. “It’s my money sir. Fair and square. I wouldn’t steal anything.”

“I guess I’m going to have to have a talk with your parents,” the Dabney Daniels said, slowly shaking his head.

Poor Hank felt like he might sink through the floor, right then and there. His knees felt weak.

“But this,” the copper motioned at Hank’s bag full of stuff. “I don’t see as any law has really been broken. After all, I walked in through the front door, which was unlocked. I know Homer leaves through the back door and forgets to lock the front. But being as you’re here, I assume he left it open for you.”

Hank gazed at Daniels in wide eyed confusion.

“Besides, I hate doing paperwork. If you had actually broken into this store, I’d have to haul you to the station and spend the rest of the night writing up the report. I do have to talk to your parents though,” he added causing Hank to sink further.

The young man managed a groan.

“You know, I really need an intern down at the station. I think your mother will see that working for me would be a good learning experience for a future lawyer. In a way, that’s where law starts isn’t it? With the police? Meanwhile you can put your talent with radio gadgetry to use. How does that sound?”

The end

***

And so Savannah’s youngest policeman began his career. If you want to know more about the other characters in Murder at the Bijou, Three Ingredients-I, click here. Thanks for reading.

 

Copyright © 2016 by Teagan Ríordáin Geneviene

All rights reserved.

Deer In The Yard – Featured Art Print

For a little bit of that spring feeling, I thought I would feature this capture. What catches my eye every time I come across this shot, is the sheer beauty of the green lawn up against the beginning of a wooded area and oh yes…there just happens to be a deer in the frame staring back at me. I caught this scene on a hike I took in the springtime while I was traversing the wooded hills above the Cedar River in Cedar Rapids, Iowa. The deer caught my movement and just froze. I took a couple of shots before it darted off back into the cover of the woods. Thoughts?


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The Old Farm – Featured Art Print

 

The Old Farm – is an art print I wanted to feature today. Is it colorful or does it grab your attention? Probably not, but what I like about it, is the fact it tells a story. The story is an obvious one, an old farm that has fallen into disrepair. When I came upon this scene in Eastern Iowa during the winter months, I loved the potential of composing a shot that would portray the feel of the property. I framed the scene using the barn as part of the foreground, with the dilapidated house in the background. The gate serves as a visual focal point pulling your eye towards the house. The final element for this particular art print was using a watercolor technique, which softens and darkens the scene slightly creating more of the mood. Thoughts?


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Deer In The Yard – Excerpt From A Photo Shoot

I wanted to share a photograph from a series I did when I was visiting family in Iowa. Being the avid hiker, I was hiking along the banks of a river and then up into the dense hilly woods that line the river. My family lives on the edge of the woods up in the hills in a neighborhood where this site is very common year around. I can’t tell you the amount of times I have watched numerous deer wander across yards without any hesitation. In this particular shot, I was coming out of the woods into the yard when I saw this lone deer pondering whether they wanted to come out into the open or not. I startled him (or her), but since I always have my camera on me when I hike, I got a series of shots and have posted this one in my Color Photography 2 Gallery and call it “Deer In The Yard”.

 

Thoughts?

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The Barns – Featured Art Prints

This week, I wanted to feature a series of art prints from my Black And White Photography Gallery. I’m going to refer to this series as “The Barns”. I love black and white photography because you can create interesting moods with a monochrome approach. The subject of the print must possess enough contrast, lines and shading to help the photographer present the story they are trying to tell. Since I shoot in digital, it allows me the ability to play with the final subject matter so much more than when I used film. I shoot in RAW format to allow me the most options in presenting the final print. When I see shots I’ve taken that I think would look great in black and white, I adjust the picture to a monochrome status and then start playing with the level of detail, the amount of contrast and brightness to create an image that I think tells a story.

The setting for these shots is Eastern Iowa in the wintertime. There isn’t any snow on the ground, but it is cold and the trees are barren. The overall look of the countryside just speaks “Black and White” to me.

The first shot is a large barn with interesting cupolas on the roof. I thought it made the overall architecture of the barn that much more interesting. I played with the contrast, lighting and detail to allow the clouds to become a more important element of the shot.

 

This next print has become one of my favorites, simply because I love the hand pump. It just sits there in the yard right in front of the stables, but speaks volumes to me about life on the farm. I love the combination of elements between the stables and that simple little hand pump.

The third shot is the entire barn and stables from the previous capture. The location is the Amana Colonies in Eastern Iowa, south of Cedar Rapids and west of Iowa City. In this photograph, I wanted the clouds to add to the texture of the presentation. I had to play with the same three elements to get the right balance, as the clouds required a higher amount of detail and contrast to get them to pop like this.

The fourth picture is the same structure, but from the side. In this one, I downplayed the clouds because I wanted the focus to become the rough texture of the siding of the barn. I love the rough grain of the wood and wanted that to dominate this particular photograph.

The last one is an old hay barn located near the large stables and barn. I was going for the rough texture and age of the wood siding of this hay barn. I love the depth of this shot as you can see through the entire barn and I was lucky enough to get it with an empty hay wagon sitting inside. Thoughts?

I invite you to visit my Black and White Photography 1 Gallery to enjoy these prints and many more.

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The Bright Red Barn – Featured Art Print

The Bright Red Barn: a wall art print where I used an abstract watercolor technique creating this scene. This technique uses blocks of color shapes to create the subject, which creates a clean, modern look. This particular wall art print depicts a typical bright red barn.

 

The setting is rural Iowa in the area surrounding the Amana Colonies in eastern Iowa. The time of year is mid winter with just hints of snow left here and there. The starkness and barren look of the countryside as a backdrop against the bright red barn, creates a very unique perspective that I tried to capture in this scene. Thoughts?

I invite you to visit my Landscape Watercolor Gallery to enjoy this print and many more.

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Barn in the Valley – Featured Art Print

Last week, I featured two new prints from my Landscape Oil Collection. This week I am going to take a look at two very different prints from my Landscape Watercolor Collection. In this particular collection, I have used a variety of watercolor techniques to create totally different looks to landscape scenes. The first print I wanted to feature is “ Barn in the Valley”. The setting is rural Iowa in wintertime. There isn’t any snow on the ground, just barren trees and brown dormant fields. Even in this type of setting, there is beauty in my opinion. This time of year is a time of rest and regrouping for not only the plant life, but also the farmers that grow the crops. I love the way the barn sits in a small valley surrounded by rolling hills. In this particular print I used a pointillism style for the technique. Pointillism is a style of painting in small distinct dots of color that are applied in a pattern to form an image. The technique was developed in 1886 branching from impressionism. The style creates a very soft look to a scene and the eye combines the dots into a recognizable pattern. In playing with this technique, I find that it either works really well or really poorly and I haven’t seen much in between. I liked it for this scene to keep a soft; warm and casual look to this particular setting. It allows the barn to become center stage without over powering the entire print. Using warm earth tones keeps the scene subtle, yet inviting. Thoughts?

I invite you to come into the gallery to view the collection in Landscape Watercolor.

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